Recently on Engadget, an article about Lytro's new focus-after-the-fact "camera" talked about the coolness of this new style of camera. For those that looked at the Engadget article and did a "too long; didn't read", I'll spare you the long read and give you the gist of how the camera works. The camera runs on a 2/f aperture, with no moving parts. With Fourier Transform Slicing it "guesses" where it should record focal lengths at in the image. From what I can tell it picks a close, medium and far focal length. All the talk of depth-of-field, really is focal length. No sample shot shows a depth-of-field of 16-32/f.
Technologically it is a great piece of hardware, but as an artist, who's medium has been the photograph for over 10 years I find this products application hard to fathom. You open the road for others to be able to "refocus" your image. The example I find I relate to is this: it is like giving everyone the ability to change the subject, or paint type/texture/palette for say an image by Picasso, Bacon, or Van Gogh. If these artists intended for your view to be anything other than what they wanted to express they would have. Any excellent example being Gérome's Pollice Verso (link: wikipedia.org), where he has purposefully show a maximum depth of field, or Van Gogh's Irises (link: vangoghgallery.com) where his use of texture and limited depth of field is purposeful. In Gérôme's or Van Gogh's images, if they were painted in any other style the intended style and/or subject would be unable to be conveyed.
With this in mind, we return to photography. The artist may purposefully leave the background out of focus with a short depth of field or long depth of field with everything in focus. For if she/he wanted you to know what was there, then they would have included it into the image they wanted to convey. A change in this begins to change the meaning of art or artist at a fundamental level. If you can no longer have something with staying power where someone does not feel the need to "improve it" and then does so, then there is no longer a driver for creativity. Which leaves me to question if this is really the future of photography?
Labels: art, camera, data thirst, engadget, future-of-photography, lytro, new product, philosphy, photography